//An article about our exhibition @ ICA NYU Shanghai 我們在上海紐約大學ICA展覽的報導文章//

//An article about our exhibition @ ICA NYU Shanghai 我們在上海紐約大學ICA展覽的報導文章//

The title of the exhibition also functions as directions for the audience. “I wish for the audience to be able to suspend their disbelief and make space for a miracle of magical thinking,” said Lin. “We can close our eyes to see more, and turn off our brains to know more.”

Shamanic practices brought Chen and Lin together in the first place. They first met in 2015, when Chen was working on a different art exhibition. They did not reconnect until three years later, when Lin heard an inner voice telling her to look for Chen.

“I didn’t even remember her name,” Lin said.

The two met again — coincidentally, just a week after Chen’s first Ayahuasca ceremony — and later Chen attended one of Lin’s shamanic workshops.

“Lin is my teacher and shaman,” Chen said.

That same year, the pair began collaboration on Sonic Driving. Chen found it fruitful to integrate the shamanic workshops with her art. “Other than exhibiting artwork as I normally do, having the audience experience the shamanic journeys is one of the most important factors in this project,” she said.

//陰性力量:從神聖到邪惡//

有個戴著回教頭巾的女生在展覽裡快要哭了出來(Lilith 莉莉絲在回教徒女性身心中要覺醒,那真是天大不得了的事情啊!),這場景,大概跟我在耶路撒冷看到戴著猶太小帽的兩個帥得無法無天的同志接吻,當下五雷轟頂的震撼有得相比啊!

然後一個穿戴全黑,戴著黑色口罩的女生,拿著繪本站在巫術女神Hekete前面,以無比的虔誠一筆一筆畫著她的Hekete ,現場空氣完全因她而凝結,雖然不發一語但是所有圍繞的人都可以用全身的細胞感受到Hekete,以及她透過這個繪畫的過程如何將女神下載安裝在自己的意識當中(力量真的不是形式啊!)

我覺得現場不只我,很多人都想跪下來拜,但太丟臉所以忍著。

展場亮點:一個用來驅除莉莉絲的碗,寫滿了希伯來文咒語。一張圖上面知識之樹的蛇變成一個女人親吻夏娃,亞當看著。Hakete的雕像,人們正在連署希望能夠繼續在大英博物館展上成為常設展。一副有名的女巫sabbath 圖,可以看到女巫煮藥、飛天。

讓我們向那陰性,深深地獻上全部的敬意!
敬女巫,那無比聖潔的,那極端骯髒邪惡,令人不忍直視,卻也目不轉睛的,女人👩

https://linktr.ee/li.chun.lin

//上海紐約大學ICA的演講在紐約大學的平台上線了//

「不要講妳不懂的事情,不要不懂裝懂,魔法世界的人超級愛踢館,妳如果要賣弄一定一下子就會被識破。演講要講妳真的懂的東西,而且要用自己的話說,如果妳能夠用自己的話講出來,就代表妳真的懂了」

北美館2月13日 《致幻記III》展覽講座

這件作品有幾個亮點:
1.這是一件完全本土台灣的死藤水藝術作品。
2.作品本身以空間與聲波展現了薩滿學習成巫的過程,如何「開啟植物靈的空間」,以及「薩滿如何運用夢境學習」
3.作品背後有很精彩的故事,詮釋了「一個人如何成為另一個人的薩滿」這件事。
4.這個「空間」,也是我魔法學習的起點。